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The really cool thing about Molly Malone was that I composed and ran the whole production in surround sound off a Windows laptop (feeding amps and speakers and what not blahblahblah). Well, "I" didn't actually run it, as "I" wouldn't trust a windows machine to make it through one show let alone 4 weeks. That's crazy talk. But Leslie seemed to have amazing luck.
The songs I posted here have been mixed for stereo reproduction, so you won't get to hear the cello coming from behind, or the two guitars spread wide left and right with the mandolin melody in the center channel and the tablas going BOOM dada BOOM through the sub. You'll just have to trust me that it was WAY COOL.
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